My email to the Chancellor of the University of Illinois, Phyllis Wise, objecting to the firing of Professor Steven Salaita and demanding his reinstatement is below. You can send one too.
I am shocked and dismayed that you would end the employment of the honourable Associate Professor of American Indian Studies, Steven Salaita, due to pressure from those who place the indefensible – the genocidal actions of settler colonial Israel toward Palestinians whom it occupies, oppresses and sieges in Gaza – before academic freedom and ethical educative values.
Would you have treated Nelson Mandela and Martin Luther King similarly for their strenuous public advocacy for attainment of rights for the rightsless because racists objected to their appointments? It is not uncivil nor bigoted to challenge racism.
Should academics be gagged from expressing political analyses and opinions in public so that the tender sensibilities of racists, white supremacists and nationalists are not offended? Surely one of the roles of education is to civilise people through learning to shed their prejudices and ignorance. Further, no state or political ideology should be quarantined from critique. To punish people for critiquing the Israeli regime or any other state undermines the foundations of democracy.
What message are you sending to other academics who oppose injustice and oppression? Why side with and encourage today’s McCarthyite bullies and their witchhunt of dissenters?
Please act judiciously in the spirit of civilised values, academic freedom and democracy – restore your reputation by re-employing Steven Salaita.
Dear Indhu Rubasingham, Protest outside the Tricycle Theatre November 2013
We write to thank you for refusing to accept Israeli sponsorship of the Jewish Film Festival.
We particularly appreciate that you distinguish between Jews in Britain and the Israeli State. We could not be further apart from the Israeli state. The insistence of the organisers of the UK Jewish Film Festival on including sponsorship from the Israeli Embassy, even when you generously offered an alternative, has made their priorities clear: not Jewish people or Jewish film but the hijacking of Jewish culture to disguise Israeli policies and particularly its bloodied image. Its murder and maiming of Palestinians and others in the Middle East has been going on for many decades. But its recent unrestrained, sadistic attack on Gaza has reinforced its genocidal intentions against the Palestinians.
We are particularly appalled as Jews that our suffering as a people is the occasion and the excuse for the genocide of others. We are aware of the suffering of others, which is why we have said, unlike Zionists: Never again – for anyone. Including of course Tamils in Sri Lanka, about which you would be familiar.
Those of us who were part of the demonstration in front of the Tricycle last November against Israeli sponsorship of the JFF, which was led by the International Jewish Anti-Zionist Network, welcome this decision of the Tricycle to respect the multi-racial nature of the community of which it is part, by refusing blood money from apartheid Israel.
We are a group of Jews in Britain including from Israel and are appalled that you have been subjected to false accusations of anti-Semitism. Zionism cynically uses the sufferings of Jews to silence critics of the Israeli genocide of Palestinians. This is an abhorrent attempt to intimidate a local theatre for refusing to be enlisted to serve the Israeli State, in order to camouflage its most recent assault on hospitals, UN schools in which thousands were sheltering, children, and civilians of all ages.
We take this opportunity to share with you a few examples of how Israel harnesses culture as a propaganda tool.
1) Israeli artists who receive government sponsorship are contractually obligated to promote the state as a condition of their sponsorship, which includes Israeli films that are promoted as being critical; but while they might show some criticism their overall message is to present Israel as a democracy and camouflage its apartheid.
If they receive funding by the state, Israeli artists who play internationally are expected to be political ambassadors and must sign contracts which declare their cooperation with state marketing aims. The standard Israeli sponsorship contract states:
“The service provider (i.e. artists) undertakes to act faithfully, responsibly and tirelessly to provide the Ministry with the highest professional services. The service provider is aware that the purpose of ordering services from him is to promote the policy interests of the State of Israel via culture and art, including contributing to creating a positive image for Israel.”
3) In 2008 the Israeli Foreign Office identified London as one of the hubs it targeted for “Brand Israel”. It stated:
“The Jewish community has to be part of it for it to succeed. It’s very important for us to convey the message to them that a better image for Israel and a better performance of that image is part and parcel with Israel’s national security.” “But it’s mainly it’s an attempt to change the mindset of people when it comes to Israel” “”That doesn’t mean conducting an advertising campaign, but the execution of a program that will support the brand identity… it could include organizing film festivals” “… the hope-for result is a change in peoples’ perception of Israel.”
In short, any event accepting sponsorship from the Israeli Embassy or from any other Israeli state bodies is legitimising the Israeli apartheid, ethnic cleansing and its genocidal attacks on the Palestinians, including the Gaza Strip that Israel turned into a concentration camp.
We value the Tricycle and as your loyal supporters, your audience, we ask that you will not renew your association with Israel, as long as it violates international law, and until the 3 conditions set out in the Palestinian call for boycott demanding Israel meets its obligation and comply with international law (see http://www.pacbi.org/etemplate.php?id=1801).
“As much as I want to play Israel, I have decided not to in solidarity with Palestinians who will not have access to my show. After days of discussions with many, I’ve decided to try & visit Israel & Palestine with those who fight to end the state of apartheid rather than use my art to force the issue on those who would rather not deal with it.”
Kweli, who is well-known for the political content of his work, proved unresponsive to the usual calls from Israel’s propagandists that ‘music isn’t political’ and that ‘music is above politics’.
(2) ‘the responses on twitter from BDS supporters were compassionate, measured, informed an respectful for the most part’
https://twitter.com/TalibKweli/status/484383811149365248
(3) ‘reading abt Paul Simon recording Graceland in SA in defiance of boycott & how he thought Mandela was a terrorist back then…’
https://twitter.com/TalibKweli/status/484384012828278784
Ultimately, Kweli decided “being in solidarity with those who live it would be a stronger statement…”
Talib Kweli’s thoughtful, principled solidarity with Palestinians and their call for boycott of Israel is deeply appreciated, particularly at this time when Israel is engaged in a racist rampage of collective punishment against Palestinians, incited by Israeli leaders.
I am shocked and dismayed that you would end the employment of the honourable Associate Professor of American Indian Studies, Steven Salaita, due to pressure from those who place the indefensible – the genocidal actions of settler colonial Israel toward Palestinians whom it occupies, oppresses and sieges in Gaza – before academic freedom and ethical educative values.
