Campagne BDS France : Renaud Garcia-Fons, Don’t Play for Apartheid

French composer and double-bass player Renaud Garcia-Fons is scheduled at the White City festival in Tel Aviv, apartheid Israel on May 6th. This is the English translation of an open letter written to him by the French BDS Campaign, Campagne BDS France. Don’t Play Apartheid Israel (DPAI) has made a facebook calling on all the artists scheduled to perform at the festival to cancel: Don’t Play Tel Aviv White City – It’s Today’s Sun City.

Paris, 17 April 2012
Renaud Garcia-Fons
Dear Renaud Garcia-Fons,

On 6 May next, you plan to give a concert in Tel Aviv at the “White City music festival”.

We are surprised to learn that you, who are attached to the respect for human dignity, would perform in a country which has been mocking international law for more than sixty years. We recall your participation in an “Orchestra for Peace” at the “Human Solidarity Concert” in Paris in 2002.

Miguel Angel Estrella, who was at your side during that concert, is today a member of the support committee of the Russell Tribunal for Palestine. The conclusions* of that tribunal at its recent session in Cape Town, South Africa, are unambiguous: Israel is responsible for grave violations of international law and is guilty of the crime of apartheid.

Renaud Garcia-Fons, are you aware that, while hundreds of music-lovers would be able to enjoy your talent in Tel Aviv, thousands of others would be deprived of it, being relegated behind a separation wall?

For decades the Palestinian people have been victims of Israel’s apartheid policy, which scandalously curtails their most elementary rights: their access to water, to education, to medical care, their freedom of movement.

A people under colonolisation in the West Bank, a people under a blockade in Gaza, a people under discrimination in Israel, added to the refugees whose right to return was recognized by the United Nations but never implemented by Israel. The international community closes its eyes while the Israeli government behaves with total impunity: its killing of hundreds of civilians in 2009 during the “Cast Lead” attack on Gaza; its constant military incursions in the West Bank and its military check-points there; the numerous inequalities between Jewish and Palestinian citizens of Israel regarding medical care, work, and public services; the thousands of uprooted Palestinians living as refugees all over the world; the peaceful activists participating in the Freedom Flotilla in 2010, killed in cold blood.

Faced with such injustice, Palestinian civil society decided in 2005 to launch the BDS campaign: boycott-divestment-sanctions against Israel as long as it does not respect international law. This movement, inspired by the struggle of the South Africans against apartheid, has now taken on international dimensions and the boycott of the State of Israel is growing everywhere.

Today, numerous artists have chosen not to perform in Israel as long as that state does not change its policies. In the film world, Ken Loach, Jean-Luc Godard, Meg Ryan, Dustin Hoffman and Mike Leigh, along with musicians such as Roger Waters, Brian Eno, Annie Lennox, Carlos Santana, Elvis Costllo, Gil Scott-Heron, Gorillaz, The Pixies, Massive Attack, Gilles Vigneault, Vanessa Paradis, have all cancelled their appearances which were scheduled in different Israeli cities.

By going to perform in Israel you would be participating in the normalisation of a colonial situation. Please don’t help to close the eyes of French citizens by acting as if nothing unacceptable is happening over there. We can readily imagine that you were unaware of the situation on the ground, but from now on you can no longer say “I didn’t know!”.

If you would like to have more details about the policies of the Israeli government, we would be glad to provide them.

Dear Renaud Garcia-Fons, we appeal to you to join the artists who are boycotting Israel as long as that state refuses to respect international law, and to cancel your concert at the festival in Tel Aviv.

With best wishes,

BDS French Campaign

CICP

21 ter rue Voltaire

75011 Paris

http://www.bdsfrance.org/

SOURCE

* http://www.russelltribunalonpalestine.com/en/sessions/south-africa/south-africa-session-full-findings-french

Leave the Land Alone

Leave the Land Alone

We share this land of timeless dreams,
mysteries of tree and bone,
tribal journeys of dance and song
symbols painted on stone.

Songlines of the Indigenes,
they used to call it home,
broken by colonial greed
the land had never known.

We poison the lakes and dam up streams,
this land that is our home,
quarry the hills and cut down trees,
don’t know how to leave it alone.

Why do we break this fragile land
and bring it to its knees?
Our eyes are blind with dollar signs,
so much that we should see.

Do you fear the force of machinery
and big money lying?
it’s hard to live guilt-free
when the country’s dying,

All that’s part of you and me
laid waste by greed and scheming,
don’t you know we’ve taken enough,
Let the land lie dreaming.

Jinjirrie 2007

Senator Bob Brown, leader and founder of the Australian Greens from 1992 until April 2012, has departed politics suddenly, with his position to be filled by Senator Christine Milne. In a country where multi-party plurality is nigh on impossible, the Greens have benefited from growing awareness in the community of the limited nature of our most precious Australian resources – our native fauna and flora, and that on which we all depend for survival – water.

Bob’s charisma and record as an environmental campaigner led many ALP voters disillusioned with Labor’s neoliberalism and environmental compromises to jump ship. How will the Greens fare without Bob at the helm? will the flagging ALP be able to woo back voters and will the party machine have the foresight to incorporate more green promises in order to do so?

Salute, Bob – your common sense and values will be sorely missed in public life – your record as an exceptional advocate for the environment and humanity is unequalled in Australia’s history. I hope you have some happy years of bushwalking and photography and find time to record your memoirs.

The Hasbaroid Song

When your argument’s been lost, just give it one more toss
reach into the hasbara stash for Khhhhammass, Khhhhammasss, Khhhhammas.

If the ‘terrorists’ produce inconvenient facts and you’re feeling that familiar lack
reach into the hasbara stash for Khhhhammass, Khhhhammasss, Khhhhammas.

So your logic’s in a knot and lies are all you’ve got
reach into the hasbara stash for Khhhhammass, Khhhhammasss, Khhhhammas.

Nothing thrills like raw hate, you can never underrate
The benefits of the hasbara stash and Khhhhammmmass, Khhhhammasss, Khammmasss.

The problem is all theirs, so please remember in your prayers
The goddamn, nasty, convenient stash of Khhaammmmass, Khhhhammmass, Khhammmass.

by Jinjirrie 2011-12

Music Cannot Cross Apartheid Walls : Boycott the Tel Aviv White City Festival

The Israeli side of the apartheid wall
A view (above) of the Israel side of the wall, notice the olive trees illegally annexed, and the attempt to "pretty" it up with a round-a-bout.
A new facebook page has been launched, “Don’t Play Tel Aviv White City – It’s Today’s Sun City.” The creators are rallying for support to ask a number of international artists to boycott the Tel Aviv White City music festival, which is sponsored by the Israeli government. Just a few of the artists who are being asked to boycott include Bobby McFerrin, Courtney Pine, Oi Va Voi, Regina Carter and the Indian group Rajasthan Josh.

The facebook page states:

“In respect of the Palestinian call for a cultural boycott of Israel, we ask musicians of conscience to boycott the Tel Aviv White City Music Festival.”

The cultural boycott is a very important aspect the BDS movement. The cultural boycott is evidenced as being so very important because of the vast amount of money Israel spends specifically to counteract that aspect of the boycott.

It appears artists are often told by their Israeli booking agents that music brings people together, and that BDS builds walls. Recently an artist wrote that he would not boycott his Israeli fans. The UK group Younger Brother insisted that their concert would help bring peace through music, and that their Israeli fans were all about peace.

International artists that participate in Israeli government supported festivals are participating in an insidious effort by the powerful oppressive state of Israel to “normalize” the settler-colonial policies. There is nothing normal about extreme racism, the crushing oppression of education and the illegal apartheid wall. It is so ironic, then, when artists who break the boycott say that BDS builds walls. These is no wall that stands out on the face of this planet that is used like the wall Israel has created. The wall illegally annexes Palestinian land, cuts off families, schools, and access to jobs. It erases views of the sunrise and sunset, and is strewn with trash, dotted with sniper towers, and dehumazing checkpoints. Even cattle are treated better than some Palestinians who wait for hours in the heat or cold only to be buzzed through a checkpoint with an automated program, controlled remotely.

Money is liberally invested in festivals that are designed to create the illusion for the Israeli population that their state is normal. They are created to convince the international community that Israel is not only normal but endowed with beautiful tourist sites and a vibrant artistic community. Vast amounts of money are poured into festivals and contests such as the Israeli International Oud Festival, the Red Sea Jazz Festival, PIC.NIC music festival, the International Harp Contest in Israel, the Jerusalem International Chamber Music Festival, the “Israel Festival,”and more, like the upcoming Tel Aviv White City Music Festival.

The apartheid wall on the Palestinian side
A view of the wall as it comes right up near a home, and cuts a Palestinian village in half.

The Holon Woman’s Festival, billed as a showcase of women’s artistic achievements was to feature US Jazz artist Cassandra Wilson. Cassandra became aware of the cultural boycott and despite the media blackout on the truth about how Palestinians are treated in Israel, she became aware of their plight. This caused her to cancel her performances at the Holon Woman’s Festival. Cassandra joins a list of many artists who have chosen to side with justice. Among those are Pink Floyd’s Roger Waters, over forty actors, directors and writers in the UK, Massive Attack’s Robert Del Naja, John Berger and 93 other artists, and many more.

For a full listing of artists who are booked to play White City, see http://www.tlv-music.com/en/Artists. One artist recently stated via twitter, “You’re right, I was unaware of any cultural boycott, although certainly aware of the situation.” (Rock musician Scott McCaughey on twitter on 1 April). If McCaughey had been aware of the boycott, he may have been much less willing to play in Israel. No artist of conscience should desire to be a part of the strategy by Israel to normalize what can never be sustained. Apartheid.

SOURCE

Related Links

Debating BDS: On Normalization and Partial Boycotts
Israeli Apartheid is Worse Than Apartheid Practised by White South Africa

On Land Day, Australians March in Solidarity with Palestinians

As part of the Global March to Jerusalem to support Palestinian Land Day, Australians turned out to protest in solidarity with the Palestinian peoples’ struggle for justice, rights and freedom, The protesters marched to BDS (boycott, divestments and sanctions) target, Max Brenner, in Sydney. Max Brenner is owned by the Israeli Strauss group which supports the apartheid Israeli regime, in particular the IDF Golani and Givati brigades which are responsible for numerous atrocities against oppressed, occupied indigenous Palestinians.

In Melbourne, hundreds of protesters marched for Palestinians, also to Max Brenner and its apartheid-sweetener coffee shop.

This year on Land Day, which commemorates Israel’s cold-blooded murder of six unarmed Palestinian Israelis in a 1976 demonstration and strikes held to protest against a massive outrageous land grab, Israel spilt yet more Palestinian blood on Palestinian soil, murdering 20 year old Mahmud Zakut near the border fence with the apartheid entity at Beit Hanoun. Hundreds of Palestinians protesting for their birthright on Land Day were injured by the criminal Occupier.

Deputy director of Amnesty International’s Middle East and North Africa programme, Ann Harrison said:

“News that Israeli forces are firing live ammunition on Land Day demonstrators near the Erez Crossing in Gaza, and that scores have been injured in protests in the West Bank, including occupied East Jerusalem is extremely worrying, particularly in the light of frequent and persistent use of excessive force against Palestinian protesters.

“We are also concerned at reports that Palestinian Authority security forces have tried to prevent protests in areas under their control, while Hamas security forces have beaten protesters in Gaza. All those involved in policing demonstrations should respect freedom of assembly and must adhere to international policing standards.”

Related Links

Fantastic solidarity from Latin youth for BDS – a great gift on Land Day
Deconstructing the Associated Press coverage on Land Day
Land Day vs. the ‘Jewish State’: an interview with Haneen Zoabi
Yousef Munayyer blows down the flimsy strawmen fielded by zionist deniers of Israeli apartheid
Apartheid Israel’s Mandela: Marwan Barghouti Speaks from His “Robben Island”
BDS protests at Jewish National Fund award ceremony: To protest the criminal JNF,

‘the BDS protesters held leaves to symbolize Palestinian orchards and wore costumes made from painted cardboard boxes to represent houses. They then held a painted cardboard cut-out of a bulldozer and “bulldozed” the houses and trees to the ground.

“We have to bring what happens every day under the watch of the JNF … to the streets of Philadelphia,” said College freshman and PennBDS member Sahir Doshi with a megaphone. “They have not made the desert bloom, they have made the desert bleed.”’

Land and Blood: The Transformation of an Annual Commemoration into a Daily Experience
Informed commentators agree that Israel implements a system of apartheid

A recent report by the United Nations concluded that Israeli policies in the Palestinian territories ‘exhibit features of colonialism and apartheid’. B’Tasleem, Israel’s leading human rights organization, published in its report Land Grab that Israel ‘has created a system of legally sanctioned separation based on discrimination that has, perhaps, no parallel any where in the world since the apartheid regime of South Africa’. The Human Sciences Research Council of South Africa also concluded in its legal study that Israel is guilty of apartheid crimes.

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