BDS Maroc Protest Against Moroccan Government Delegation to Tel Aviv Agriculture Exhibition

BDS Maroc expresses its condemnation of the Moroccan Government sending an official delegation to the International Exhibition of Agriculture to be held in Tel Aviv from the 15th – 17th May.

English translation [Google]:

To the Minister of Agriculture and Fisheries

After greeting, initiative followed in my DSL Morocco through the written press and electronic outraged news about an official delegation will represent Morocco in the International Exhibition of Agriculture, Tel Aviv between 15 and May 17, 2012.

While the exercise by the Zionist ethnic cleansing against the Palestinian people and the worst kinds of oppression and exploitation affects humans and the earth and the trees of administrative detention and destruction of homes and depriving the peasants of their land and their water … and at a time of growing concern across the world calling for a boycott of the entity Zionist note that your ministry complicit in breaking the isolation of this entity the offender and contribute to the strengthening of its economy by opening the Moroccan market in the face of agricultural machinery and seeds coming from the occupied territories. The International Exhibition of Agriculture, Meknes, in addition to the published website of the Zionist Central Bureau of statistics on trade between Morocco and the Zionist entity, leaving no room for doubt.

We inform you, Mr. Minister, as our condemnation of this policy cooperating with the occupation and call for your ministry through the Moroccan government to stop all forms of cooperation and cut off all relations with “Israel” whatever it is.

Please accept, Mr. Minister, and believe our feelings.

Guidelines from Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) promote boycott of events which are not framed in co-resistance and which normalise Israel’s criminality, specifically in a Palestinian and Arab context:

“as the participation in any project, initiative or activity, in Palestine or internationally, that aims (implicitly or explicitly) to bring together Palestinians (and/or Arabs) and Israelis (people or institutions) without placing as its goal resistance to and exposure of the Israeli occupation and all forms of discrimination and oppression against the Palestinian people.” [2] This is the definition endorsed by the BDS National Committee (BNC).

Related Links

BDS Maroc on Facebook

Dervish, Please Don’t Perform in Apartheid Israel – A Call from IPSC

This is the open letter written by Raymond Deane, Cultural Liaison Officer of the Ireland-Palestine Solidarity Campaign (IPSC) to Irish traditional group Dervish asking them to cancel their dates in apartheid Israel June 2012.

DPAI (Don’t Play Apartheid Israel) Facebook page here: Dervish, Don’t Bring Your Travelling Show to Apartheid Israel

OPEN LETTER TO DERVISH

Dear members of Dervish (Kathy Jordan, Brian McDonagh, Liam Kelly, Tom Morrow, Shane Mitchell and Michael Holmes):

Many lovers of Irish music have been deeply shocked and disappointed to learn of your plan to tour Israel next June, despite the 2006 Palestinian call for an international cultural and academic boycott of the Israeli state until it abides by international law.

On this tour you will be joined by the Irish band FullSet, which boasts that it has “already shared a stage with some of the hottest names in Celtic music, such as Moya Brennan, Lúnasa…, Andy Irvine and Dónal Lunny.”

This is deeply ironic, because Irvine and Lunny – together with Christy Moore, Sharon Shannon, Damien Dempsey, Ronan Browne, Jimmy McCarthy, and many other giants of Irish music (and over 200 other creative and performing artists) – have signed a pledge “not to avail of any invitation to perform or exhibit in Israel… until such time as Israel complies with international law and universal principles of human rights.”

This means that if you perform in Israel you will be betraying both the Palestinian people and many of your most respected colleagues. You will be manipulated by the state of Israel to whitewash the utter criminality of its occupation and colonisation of Palestinian lands.

In 2005 an Israeli spokesman asserted that “We see culture as a propaganda tool of the first rank, and…do not differentiate between propaganda and culture.” [Ha’aretz, September 2005]

Here are some examples (among many) of the way that Israel represses the expression and dissemination of Palestinian culture:

  • In 2002, Israel prevented the Palestinian poets Zakaria Mohammed and Ghassan Zaqtan from travelling to Ireland to read their work.
  • In May 2009, Israeli soldiers prevented the opening of the Palestine Festival of Literature in Jerusalem. In April 2011, the venue hosting the final event of that year’s Festival was attacked with tear gas by the Israeli army.
  • In May 2010, the Israeli authorities deported Spain’s most famous clown, Ivan Prado, who was planning to establish a clown festival in Ramallah.
  • In summer 2011, Israeli commandos assaulted the Freedom Theatre in occupied Jenin, arresting several of its members.
  • Also last year, Israeli Prime Minister Binyamin Netanyahu suspended Israel’s financial contribution to the United Nations Educational, Scientific and Cultural Organisation which oversees the protection of the world’s cultural heritage. This was to “punish” the majority of the world’s states for having voted to admit Palestine to the UN agency. This constitutes an Israeli cultural boycott of most of the world. For the same reason, Israel larcenously suspended tax transfers to the Palestinian Authority.

If you cancel your trip to Israel, thus incidentally saving the members of FullSet from the infamy of breaching the Palestinian cultural boycott so early in their career, you will have joined the likes of Roger Waters, Elvis Costello, Cassandra Wilson, and Carlos Santana who, having at first agreed to perform in that country, decided that it was of greater importance to support the just struggle of the Palestinian people against Israeli oppression.

The governments of the EU see Israel as “a strategic partner” and offer it generous trading and diplomatic privileges. When governments refuse to take human rights violations seriously, then it is up to civil society to act. Please be on the side of justice: please cancel your tour of Israel!

Raymond Deane

Cultural Liaison Officer

Ireland-Palestine Solidarity Campaign

Don't Play for Apartheid

Meanwhile, the organiser of the Dervish performance posted on the Facebook page:

Avshalom Farjun

Hello people of Ireland, land me your ear for a moment. My name is Avshalom. I’m a musician and producer and I’m organizing Dervish’s concerts in Israel. I love Irish music & I have close friendly relations with the members of Dervish whom I know for the past 15 years. People who know me will probably say I’m quite a nice and loving person even though I’m Israeli. The story of Israel-Palestine is very sad and tragic one for both sides… please try to remember that. Innocent people are suffering for so many years for terrible mistakes of leaders and politicians from both sides.

I’m certainly not a politician and responding to such attacks is not my cup of tea. I just want to share few things about me and get the right to expose my point of view.
I’m straggling for piece all my life. There are hundreds of thousands like me in my country. My personal way of contribution for piece and coexistence between Israelis and Palestinians was not demonstrations of any kind but creating an excellent ensemble consist of Arabs and Jews. We performed for about 15 years all around the globe. The idea was not a political one as we looked for the best musicians in order to make the best music. People have always applauded not only to the music but also to the fact that Israelis and Palestinians can create art together. We have not tried to change anybody in the band. Every one kept his own political ideas…but we shared some incredible love and passion to music and deep friendship. The project survived and gained a lot of success because we really believed music should not be played for political reasons and saw our music as something that brings people together and heals wounds.
I’ve invited Dervish to bring their music over not to support any political idea. Performing in Israel by Dervish does not mean anything about what they think or feel about the conflict. I’m sure that when they will receive an invitation to perform at the Palestinian territory, they will happily accept it.
Please people; try to accept that music transcends barriers. It’s not necessarily meant to support or criticize any political systems.

This is the DPAI response:

Dervish, Don’t Bring Your Travelling Show to Apartheid Israel

Thanks for your post but Palestinian civil society has called for a boycott of apartheid Israel until it abides by international law. The guidelines are very clear and we support the Palestinian BDS call. This is not the story of an equal conflict between “two sides”, it is in fact about the dispossession and ethnic cleansing of the Palestinian people and the apartheid, war crimes and imprisonment they have been subjected to by Israel for 64 years.

PACBI (Palestinian Campaign for the Academic and Cultural Boycott of Israel) has issued a very strong statement on normalisation and we adhere to that, it’s below if you’d like to read. We are asking Dervish to respect this BDS call, stand with other artists of conscience who have done so, stand with the oppressed Palestinian people in their struggle for justice and stand against Israeli apartheid. The Israeli state uses performances there as a means to whitewash its crimes against humanity, Dervish will be part of that if they play. With respect, the Palestinian call for solidarity has primacy here and we reiterate our call for Dervish NOT to play for apartheid.

PACBI: Debating BDS: On Normalization and Partial Boycotts

Yesterday the unofficial Facebook page of the Israeli embassy in Ireland posted on the official Dervish page, demonstrating to them that any performance in Israel will be used by the state to legitimise apartheid.

Israeli government Dervish propaganda

SOURCE

Speaking Out Against Israel’s Detention of Hanaa Al-Shalabi

Hanaa Al-Shalabi is a Palestinian political prisoner of apartheid Israel. She was released from over two years in administrative detention on 18 October 2011, as part of the prisoner exchange deal. She was re-arrested less than four months later on 16 February 2012, and she immediately began a hunger strike in protest of her detention without trial or charge.

Hana has now been on hunger strike for 41 days and her appeal for release has been rejected by Israel’s military courts.

“Cultivate Hope”, a poem written on day 40 of Hanaa Al-Shalabi’s hunger strike, is by Rafeef Ziadah with music by Phil Monsour.

Related Links

40 Days and 40 Nights: The Biblical Fast of Hana Shalabi

BDS Activists Speak Out on Israeli Culturewashing in Rome

Rome, Italy: Boycott Action Condemning the Use of Culture to Cover Israeli Crimes

On Sunday, March 18, 2012, at the Cortoons Festival of Rome, a group of 20 activists of the movement for boycott, divestment and sanctions (BDS) against Israel requested, and were granted by the organizers, the possibility to speak prior to the presentation by Hanan Kaminski, director of the school of animation of the Bezalel Academy of Jerusalem.

The festival took place just meters away from the monument commemorating Rachel Corrie, a US activist killed in Gaza on March 16, 2003 by an Israeli bulldozer while attempting to prevent the demolition of a Palestinian home.

The BDS activists informed the audience that the participation of Bezalel, with the sponsorship and financial support of the Israeli Embassy in Italy, represents one of many attempts by Israel to use culture to rebrand its image and divert attention from policies of occupation, colonialism and apartheid.

In 2005, Nissim Ben-Sheetrit of Israel’s Foreign Ministry stated: “We see culture as a propaganda tool of the first rank, and we do not differentiate between propaganda and culture.”

Artists who accept funding from the Israeli Ministry of Foreign Affairs are required to sign a contract which states that the artist “is aware that the purpose of ordering services from him is to promote the policy interests of the State of Israel via culture and art, including contributing to creating a positive image for Israel.” (http://www.haaretz.com/putting-out-a-contract-on-art-1.250388)

The activists condemned the use of art to cover the crimes of Israel, reminding the audience that the Israeli Embassy, representing the Government of Israel, also “sponsored” the recent Israeli airstrikes in Gaza that killed 28 Palestinians and wounded 80, the demolition of 24,000 Palestinian homes, the detention without charge of more than 300 Palestinian political prisoners, the Apartheid Wall and illegal settlements, the confiscation of Palestinian land and the over 1400 civilians killed in Gaza during Operation Cast Lead, including 500 children.

The words of the activists were greeted with warm applause from the audience and several people left the theatre along with the activists.

The Palestinian appeal for BDS calls for a boycott of Israeli businesses as well as its cultural and academic institutions until Israel complies with international law and human rights.

In solidarity with the Palestinian people. Without their freedom we will never be free.

http://bdsmovement.net

SOURCE

Palestine / Israel Links

Samah Sabawi spoke at the Israeli Apartheid Week in Sydney – here’s her full paper on normalisation. “We have said it loud and clear: We will not co-exist with you in your world of inequality. If you want to co-exist with us, you are welcome to join us in our struggle for freedom, because right now, this is the only place where we exist!”

Palestinian is the New Black – Apartheid is Back

Music played a large part in proliferating awareness of South African apartheid across the globe. End the blockade, end the Occupation, bring down Israel’s apartheid wall, equal rights for all, and recognise the right of Palestinian people expelled from their homelands by invading zionists in 1947 and 1948 to return to their lands as guaranteed by international law.

Join the boycott against apartheid Israel – stand up for justice and rights in solidarity with Palestinian people who struggle to achieve their self-determination.

In a first ever musical collaboration between South Africa and Palestine, South African band, The Mavrix, and Palestinian Oud player, Mohammed Omar, have released a music video called “The New Black”. The song is taken from The Mavrix’ upcoming album,”Pura Vida”, due for release in June 2012.

Written and composed by Jeremy Karodia and Ayub Mayet, the song was a musical reaction to the horror of the Gaza Massacre of 2008/2009 and then subsequently inspired by the book “Mornings in Jenin”, authored by Susan Abulhawa. Mayet had penned the first lyrics in 2009 after the Massacre and the song went into musical hibernation. Having read the novel, “Mornings in Jenin”, he then re-wrote the lyrics and the song evolved into its current version.

Haidar Eid, a Gaza based BDS activist and friend of the band, heard the song in 2011 and urged the band to do a collaboration with Palestinian Oud player, Mohamed Omar. He also suggested that the band do a video highlighting the collaboration between South African and Palestinian musicians and also the similarities in the two struggles.

The song was recorded by The Mavrix in South Africa whilst Mohamed recorded the Oud in Gaza and, although never having had the opportunity to meet, the musical interplay between the musicians so far apart illustrates the empathy the musicians feel in solidarity with each other.

Produced by The Palestinian Solidarity Alliance (South Africa) and the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) along with written endorsements from Haidar Eid of PACBI, Omar Barghouti of the BDS Movement, Ali Abunimah of Electronic Intifada and Susan Abulhawa, author of “Mornings in Jenin”, the song represents a message of support from South Africans, who having transgressed and crossed over their own oppression under apartheid, stand in solidarity with Palestinians who are currently experiencing their own oppression under Israeli apartheid

Related Links

Israeli Apartheid Week connects Gaza with South Africans, Palestinians in exile
Israeli Army Raids Village of Nabi Saleh for 4th Time This Week
The myth of Israel’s favorable treatment of Palestinian Christians